Full name: OMITOGUN ABDULMALIK OLAMIDE
Artist name: MARL_SCULPTS
Omitogun Abdulmalik (b. 2001, Nigeria) holds a Bachelor in Fine and Applied Art from Olabisi Onabanjo University, where he specialized in sculpture. His passion for recreating objects and exploring form began in childhood and has developed into a lifelong commitment to sculpture and creative expression.
His works gives stories about Who we are and How we live. His work has been showcased in various exhibitions and arts programs, reflecting his artistic growth and vision. He has completed several public commissions in Nigeria, including large-scale outdoor projects and installations.
His practice merges traditional techniques with contemporary concepts, often exploring cultural identity and the human experience through metal, wood, and found materials. His commissioned pieces, such as the Olubadan Palace Signage and Crown Monument in Ibadan, exemplify not only technical skill but also a commitment to honoring cultural heritage through public art.
Recently, Omitogun has ventured into 3D modeling and animation using Maya, viewing digital space as an extension of his sculptural voice. He is particularly interested in how virtual environments and hybrid media can preserve and reimagine cultural narratives for future generations, allowing tradition to evolve and storytelling to transcend material limits.
At a glance
Artwork samples
Studio images
Available
Family Ties
USD 1,500.00
This sculpture, shaped like a bow, symbolizes the family unit. The central loop is the child, the outer loops the parent...
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Omitogun Abdulmalik (b. 2001, Nigeria) holds a Bachelor in Fine and Applied Art from Olabisi Onabanjo University, where he specialized in sculpture. His passion for recreating objects and exploring form began in childhood and has developed into a lifelong commitment to sculpture and creative expression.
His works gives stories about Who we are and How we live. His work has been showcased in various exhibitions and arts programs, reflecting his artistic growth and vision. He has completed several public commissions in Nigeria, including large-scale outdoor projects and installations.
His practice merges traditional techniques with contemporary concepts, often exploring cultural identity and the human experience through metal, wood, and found materials. His commissioned pieces, such as the Olubadan Palace Signage and Crown Monument in Ibadan, exemplify not only technical skill but also a commitment to honoring cultural heritage through public art.
Recently, Omitogun has ventured into 3D modeling and animation using Maya, viewing digital space as an extension of his sculptural voice. He is particularly interested in how virtual environments and hybrid media can preserve and reimagine cultural narratives for future generations, allowing tradition to evolve and storytelling to transcend material limits.
